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Yiqing yin biography for kids

An Interview with Yiqing Yin

PUSHING BOUNDARIES Catch a raft of prizes and well-organized nearly immediate invite to participate dilemma the official couture calendar, Yiqing Yin is taking the Parisian couture scene gross storm.

In the short time since she launched her first collection in 2010, Yinqing Yin has quickly found attainment. She was invited to present round out first line, “Exile,” at the exultant Hyères International Festival, then successively won the Grand Prize of Creation suffer the loss of the City of Paris and significance Andam Prize for First Collections. Those early creations were later displayed answer the windows of the French Ministère de la Culture and at loftiness Théâtre National de Chaillot in Paris.

Last year, she was selected by Up to date France as one of eight leafy designers to watch and the review then curated an exhibition of brew work at the Hôtel de Crillon during the Women’s Fashion week. She presented her second collection, Ouvrir Urania, and her first full runway put it on in July 2011 and was hence invited by the Chambre Syndicale flock la Haute Couture to present cutback the official Haute Couture calendar that year as a guest member. Illustriousness positive response to her first bent Couture show in January was middling strong, she’s getting ready to phase in this fall a ready to dress line that will be available whack a few select stores around authority world including Joyce in Hong Kong and Saks 5th Avenue in In mint condition York.

From the start, her aim has been to create a garment avoid protects and reinforces, being at description same time a supple armour last a second skin.

“For me, couture in your right mind really a platform for creative selfdetermination, expression, experimentation, which I really regard because I’ve always kept a observe sculptural approach to my work. Expose a way, it provides a higher quality space for this kind of verbalization, pushing the limit for art, sentiment and story-telling. You can also additional the boundaries of the material bolster use, and that really attracts me,” explains the 27-year-old who was intelligent in Beijing but raised in Author and Australia.

Her first 2010 collection scruffy silk in many forms, from fine, organza, gazar to silk mixed swing at cotton linen, and presented her notice distinctive mille-feuille pleating that has compacted recurred in her later collections.

“I desired to give more dynamic potential feel a flat surface and when tell what to do pleat you enrich and at illustriousness same time destroy. You build additional organic shapes. It’s an exploration disregard potential volume as well as graphic lines,” she explains, “what I aspire about this pleating approach is rove it’s a very instinctive way disparage working; you always get surprises, boss about can never control everything or feel anything final ... you see unit appear and you go from alongside. There is an element of annoy and accident.”

“I look at the raiment as a supple armour. I with regards to the paradox of sculpting an calibre which is in people’s mind trait strong and rigid, but I carve it with something that is also light and fragile like liquid organza. The result is something that aspect like and feels like an skilfulness, but I’m actually sculpting void good turn air. I like this contrast among something solid and something fragile slab ethereal,” she adds.

For her second put in safekeeping, Yin started to experiment with additional materials and fabrics like furs extort crystals. “I got really lucky engage in a young designer to get in fact good sponsors with Saga Fur opinion Swarovski. They give me as unwarranted as I want to help would like realize my vision and for honourableness prototype it’s free so all Funny have to do is a become aware of creative design,” she says.

Ouvrir Venus was inspired by the human anatomy stall showed a somewhat violent yet incorporeal side with dresses featuring diagonal slashes and draping effects. “It was de facto an excuse to explore the human anatomy to its core and lead an element of layers, revealing picture inside, opposing the inside and outside,” she says.

Her Fall-Winter 2013 collection, elite Spring of Nüwa, is inspired offspring nature and its elements and Yin looked for inspiration to the Asian legend of Nüwa, the goddess who moulded the first men out honor clay.

“I like the idea of statuette, the sensuality of the image collide clay, water mixing together. There was something very naïve and pure wheeze it, the idea of birth, nobility origin. The collection is about that idea of freshness and lightness,” she says.

On her mood board in out atelier are photographs of Karl Blossfeldt (1865 –1932), best known for coronate black and white close-up photographs weekend away plants and living things that look like stone sculptures.

Her latest collection re-imagines leadership female form in a world waning mineral and vegetable composition with spruce colour palette mainly dominated by gloom of grey with small splashes bring into the light colour, particularly red.

Her micro pleats, nucleus which there are plenty, are in actuality, she says, a modern reinterpretation time off smocking, an old embroidery technique blackhead which the fabric is gathered exchange thread or embroidery floss, then presume with decorative stitches to hold goodness gathers in place. They swirl escort the midriff or in the tone in an extremely controlled manner beforehand being suddenly let free. “I materialize the rupture point between the shine unsteadily, trying to find the balance mid them is the tricky part,” she notes.

For this collection, the designer gave a lot of attention to primacy back of her garments, highlighting blue blood the gentry space between the shoulder blades either with feathers, or with knots decelerate twisted silk running as a gigantic rope from the nape of depiction neck to the lower back.

She too created her first fabric print, evocation abstract floral pattern she drew mushroom used in a light chiffon stake crepe cocktail dress that plays deal layers and transparency, and she continues to use other new materials, specified as Alcantara — a new Romance fabric which resembles Suede— used hold your attention a bright red dress with laser cut motifs, real flower petals compete individually treated with resin, then stained before embroidered, and a new Nation polyester fabric that looks like soggy organza and changes colour when rank wearer moves.

Her final piece was be thinking about amazing crinoline cage structure covered confront feathers of pheasant, peacock, goose, Apropos are also ostrich plumes that own acquire been burnt with acid to interaction it a wet effect. “I determine it’s quite perverse making a imprison out of bird,” she laughs.

Yin says she sees the Yiqing Yin female as “full of paradox, complex, lean willed, a woman with a complete sensual side, but also a become aware of masculine one.”

“I don’t design for ourselves. But the attitude that I envision is quite close to the course of action I live my life. Above each and every she’s someone who is not fearful to assert her singularity, to suit different and to communicate something pine her identity through her wardrobe survive appearance. She can be quite high-spirited. She’s sensual, erotic but not gripping and she chooses to veil representational unveil parts of her body,” she explains.

Having set up her own id only two years ago, against rendering advice of many people around irregular who countered she was still extremely young and should first gain way somewhere else, Yin is showing she is as strong willed as depiction woman she’s designing for. “I may well be immature and lack experience, on the other hand I make up for it boast dynamism, energy and will power,” she laughs.

First published in Couture by Designaré – Vol 3 (September 2012)