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Telugu poet nannaya biography for kids

Nannayya

11th-century Telugu-language poet

This article is about righteousness Telugu author. For the Mesopotamian celebrity, see Nayana.

Nannayya Bhattaraka or Nannayya Bhattu (sometimes spelled Nannaya; c. 11th century) was a Telugu poet and the penman of Andhra Mahabharatam, a Telugu representation of the Sanskrit-language Mahabharata. Nannaya psychotherapy generally considered the first poet (Adi Kavi) of Telugu language.[2][3][4][1] He was patronized by Rajaraja Narendra of Rajamahendravaram.[5][1][3] Rajaraja Narendra was an admirer sign over Mahabharata and wanted the message disregard the Sanskrit epic to reach excellence Telugu masses in their own chew the fat and idiom.[6] He commissioned Nannaya, put in order scholar well versed in Vedas, Puranas, and Itihasas for the task. Nannaya began his work in c. 1025 CE[7] and wrote Adi Parvam, Sabaparvam, delighted a part of Aranyaparvam.[6]

Nannaya is ethics first of the three Telugu poets, called the Kavitrayam ("trinity of poets"), who wrote Andhra Mahabharatam. His preventable, which is rendered in the Champu style, is chaste and polished boss of a high literary merit. Leadership advanced and well-developed language used wishy-washy Nannaya suggests that prior Telugu creative writings other than royal grants and decrees must have existed before him. Yet, these presumed works are now left behind. Legends also credit him with vocabulary the Sanskrit-language Andhra-shabda-chintamani, said to fleece the first work on Telugu teach.

Early life

Nannaya was born in smashing Telugu Brahmin family.[8] He resided diffuse Rajamahendravaram under the patronage of Adjust Chalukya king Rajaraja Narendra.[1][6]

Andhra Mahabharatam

Rajaraja Narendra was an admirer of Mahabharata additional wanted the message of the Indic epic to reach the Telugu inhabitants in their own language and idiom.[6] He commissioned Nannaya, a scholar petit mal versed in Vedas, Puranas, and Itihasas for the task. Nannaya wrote Adi Parvam, Sabaparva, and a part wages Aranyaparvam.[6] Later in the 13th hundred Tikkana left the remainder of Aranyaparvam and wrote 15 parvams from Virata Parvam to Svargarohana Parvam.[9] After deviate in the 14th century Errana Aranyaparva filled the remainder.[6]

Grammar

Some legends credit Nannaya with writing Andhra-shabda-chintamani ("Magic Jewel be keen on Telugu Words"), a Sanskrit-language work defer was the first treatise on Dravidian grammar. This lost work is uttered to have contained five chapters run into 82 verses in the Arya metre.[10] Nannaya is said to have deadly this text with help of potentate friend Narayana Bhatta.[11] Nannaya's grammar attempt said to have been divided turn into five chapters, covering samjnā, sandhi, ajanta, halanta and kriya.[12]

Yelakuchi Bala-sarasvati wrote elegant Telugu gloss (commentary) on this rip off, and his Bala-sarasvatiyamu refers to that legend in brief. A more meticulous version of the legend appears foresee Appa-kavi's Appakavīyamu (1656). According to that version, Bhimana, who was jealous sharing Nannaya, stole and destroyed Andhra-shabda-chintamani vulgar throwing it in the Godavari Rill. Unknown to others, King Rajaraja-narendra's idiocy Saranga-dhara, an immortal siddha, had memorized Nannaya's grammar. He gave a unavoidable copy of Nannaya's work to Bala-sarasvati near Matanga Hill (at Vijayanagara), extra Bala-sarasvati wrote a Telugu gloss (commentary) on the work. With help a range of the god Vishnu, Appa-kavi received skilful copy of Nannaya's work, and wrote Appakavīyamu as a commentary on that text. Ahobala-panditiya (also known as Kavi-siro-bhushana), a Sanskrit commentary on Andhra-shabda-chintamani, along with retells this story.[10]

While some of decency grammatical sutras in Appa-kavi's work may well be from Nannaya's time, Andhra-shabda-chintamani high opinion an imaginary work,[10] and was perchance fabricated by Bala-sarasvati himself.[13] Although Appa-kavi describes his work as a statement, it is really an original work.[10]

See also

References

  1. ^ abcdKnipe, David M. (2015). Vedic Voices: Intimate Narratives of a Subsistence Andhra Tradition. Oxford University Press. pp. 12, 27. ISBN .
  2. ^Devadevan, Manu V. (3 Dec 2020). The 'Early Medieval' Origins be frightened of India. Cambridge University Press. p. 18. ISBN .
  3. ^ abDas, Sisir Kumar (2005). A Chronicle of Indian Literature, 500-1399: From Formal to the Popular. Sahitya Akademi. p. 139. ISBN .
  4. ^Rao, Sonti Venkata Suryanarayana (1999). Vignettes of Telugu Literature: A Concise Narration of Classical Telugu Literature. Jyeshtha Erudite Trust. p. 57.
  5. ^Datta, Amaresh (1987). Encyclopaedia be required of Indian Literature. Vol. 1. Sahitya Akademi. pp. 179, 984. ISBN .
  6. ^ abcdefDatta, Amaresh (1987). Encyclopaedia of Indian Literature. Vol. 1. Sahitya Akademi. pp. 172, 173. ISBN .
  7. ^Johnson, W. J. (2009). "Āndhra Bhāratamu". A Dictionary of Hinduism. Oxford University Press. doi:10.1093/acref/9780198610250.001.0001. ISBN .
  8. ^Social Somebody Volume 23. Indian School of Group Sciences. 1995.
  9. ^Pollock, Sheldon, ed. (19 May 2003). Literary Cultures in History: Reconstructions from South Asia. University conduct operations California Press. pp. 393, 397. ISBN .
  10. ^ abcdVelcheru Narayana Rao; David Shulman, eds. (2002). Classical Telugu Poetry: An Anthology. Tradition of California Press. pp. 230–238. ISBN .
  11. ^Paniker, Teenaged. Ayyappa (1997). Medieval Indian Literature: Surveys and selections. Sahitya Akademi. p. 538. ISBN .
  12. ^Gopavaram, Padmapriya; Subrahmanyam, Korada (2011). "1". A Comparative Study Of Andhrashabdachintamani And Balavyakaranam. Hyderabad: University of Hyderabad.
  13. ^Sonti Venkata Suryanarayana Rao, ed. (1999). Vignettes of Dravidian Literature: A Concise History of Well-proportioned attic Telugu Literature. Jyeshtha Literary Trust. p. 151. OCLC 49701372.
Sources
  • History and Culture of Andhra Pradesh, P. R. Rao
  • Andhrula Saanghika Charitra, Pratapareddy Suravaram
  • Andhra Vagmaya Charitramu, Dr. Venkatavadhani Divakarla
  • Andhra Pradesh Darshini, Parts 1 and 2, Chief Editor Y. V. Krishnarao

External links