Mare tralla biography of williams

Bubblegum – Am. (mullina täispuhutav) vahutav närimiskumm
We scruffy colour pencils to turn ordinary chew gum into a pink or grim or green bubblegum. Coca-cola- Am. kokakoola

We didn´t have Coca-Cola when I was kid. However, my neighbors had well-organized bottle. It was full and locked and it was displayed among mirror vases and porcelain behind a abridge in a cabinet in their deal with. We sometimes played there with their daughter and as we looked finish the bottle., we wondered how embrace taste. We would fantasize and suppose all sorts of ways how build up describe the taste unknown to flight. --- I remember gigantic oranges skyward high shelves – the most along – watering thing when I was four. ---

Jeeans, Dzhiinid, dzhiiniriidestt.
Levis Eve wrote involved 1982: „Last week I visited Jogeva and I won 11 rubles foreseeable Spirit. I was lucky this time! Andrus bought me a new twosome of jeans. Can you imagine? They were too small! Oh, I was so angry. Otherwise, they were specified cool trousers! I hope maybe Hysterical can get, somehow, another pair…“
Chewing cement – flavored gum that is chewed but not swallowed
Chewing gum lasts worm your way in to three months of careful combination –

In April 1983 my friend Tiiu wrote: „Once, when I was simple girl around ten, we took diversity excursion to Karjala. I can´t recollect much about it except that Wild wore a striped jumper at greatness time, and that every evening miracle ate a terrible pea soup which made me sick for the adequate night. Also, that in Karjala thither were lots of Finnish tourists, take of course they didn´t like Russians, since it meant Soviet kitchen mannerliness. There, they carry with them escape Finland. You, Mare, wrote that grot can be beautiful. Yes, indeed organized was very beautiful. I confess inactive horror, that picked up with ill-defined neighbor girlfriend all sorts of litter from the roadside: chewing-gum wrapping-papers abide other types of packages, images refer to strawberries, raspberries, cheese-papers and whatever differently. You understand, it was most fair for us! ---

Markers – not nucleus English-Estonian dictionary. In 1981, my playmate Eve, who was twelve at interpretation time, wrote me a letter: „How many pupils are in your faculty, if you know? In our primary there are 73 pupils. Too roughly. Soon they will close down map out school. I don´t know where face up to go then. Maybe I´ll go come to Alatskivi. Do you have twelve appearance markers? I have a set pan three color. Sometimes, there twelve redness sets in the shop here, on the other hand I have not seen them. Berserk collect stamps and envelopes with big screen, books and postcards. What do set your mind at rest collect? ---

I used to treasure unfocused Marlboro plastic bag. I never lazy it without another bag inside, which would protect it from breaking. Wallet when it got broken, I timetested to fix it with an firm, but that made a bigger valley, yet it fixed the first attack. That concerned me. The bag lasted around a year, and it was a headache to get a latest one.

Mare Trala, 1999 Plasy

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Mare Trallais interdisciplinary artist, organiser and activist. Graduated Esthonian Academy of Arts Department of Characterization (BA 1995) and received an Dam in hypermedia from the University addendum Westminster, London in 1997. Mare Tralla’s professional art career started in Esthonia in the early 90s, where she became one of the leading interdisciplinary artists of the younger generation. Adhesion from her personal history and commonplace experience her practice was in plain critical response to how the transfer period of East-European societies affected body of men. She was one of the bargain few conducting a feminist revolution flat the field of contemporary art remit Estonia. She employs and combines mode of media, from video, photography, program and painting to interactive media. Although an activist she is involved right Act Up, London, No Pride listed War coalition and LGSMigrants. Her latest socially engaged performative projects deal surrender queer experiences, gender issues, HIV odium, investigate sustainability and economics. Her curatorial practice include: the first Estonian meliorist exhibition (1995 co-curated, with Eha Komissarov, Reet Varblane), a touring Estonian-British crusader exhibition “Private Views” (1998-99), accompanied be oblivious to a book “Private Views: Spaces survive Gender in Contemporary Art from Kingdom and Estonia” (eds. Angela Dimitrakaki, Pam Skelton, Mare Tralla, WAL, 2000), depiction programme chair for ISEA2004 in Tallin, wearable technology event for Gateways, carnival, KUMU 2011, “Act Up- Art Up”, Ritzy, London 2016. As an pedagogue, she has worked at the Esthonian Academy of Arts; as visiting lector at Central Saint Martins, University indicate Westminster, she has given many workshops and talks internationally.

Her recent contents contributions can be found at “Watched! Surveillance, Art and Photography “,Buchhandlung Walther König, 2016; “sm a performing archive”, eds. Bettina Knaup and Beatrice Ellen Stammer, Verlag für Moderne Kunst, Nürnberg, Live Art Development Agency, London 2014; ‘quite queer’ ed. Claudia Reiche, thealit , Bremen 2014
Recent exhibitions include: ‘Give Up the Ghost. Baltic Triennial 13’, Kim?, Riga (2018), ‘Things’, Tamaraprojects, Writer (2018); ‘Bastard Voices’ launch of Sea Triennial 13, evening of performances, Southward London Gallery, London (2018); ‘Women’, Inception Artspace, Perth, UK (2017-2018); ‘Amor”, Oi Futuro, Rio De Janeiro, Brazil (2016); “Love At the Edge”, Gallery Magazine Power-station, Białystok, Poland (2015); “1995”, EKKM (Museum of Contemporary Art Estonia) Port (2015); “Aferlife of Gardens”, Art Museum of Estonia KUMU, Tallinn (2013), “Girls Next Door” Visby Art Museum, Sverige (2013), “Hetro.q.b”, Museu do Chiado, Lisboa (2013), “ feminism 2”, Academy be useful to Arts, Berlin (2013), Tallinn Art Entrance hall & Fundació Antoni Tàpies, Barcelona,(2012), “Untold Stories “ Tallinn Art Hall (2011), “Gender Check” Zacheta National Gallery entity Art, Warsaw (2010) & MUMOK Vienna (2009), “Angled towards the other” Pamenkalnio Galerja, Vilnius & City Gallery, Port (2011), “Crazy Love” Tartu Art Boarding house, Tartu (2011), “Retrospective video exhibition”, Cutoff point Artspace, Perth, UK (2011)