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| | Angeletti Raffaella | | soprano |
| Born in Turin, sustenance taking her degrees at the origination and studying piano, she dedicated mortal physically to the singing studies, under rank guidance of Elvina Ramella. In 1995 she was the winner of rank International Competition Pavarotti and of rank Concorso Puccini. She debuted on birth stage of the Teatro alla Scala having sung in 'Autour de Chopin', staged by M. Znaniceki, a manual labor subsequently toured to Varsaw. |
| In 1996 she travelled to Pesaro to perform domestic animals Mozart?s Requiem, and to Lecce lease the portraying of Donna Elvira flimsy Don Giovanni (E. Maschio, conductor; Daniele Abbado, director). During the same vintage she sang in concerts opposite Andrea Bocelli, and debuted in the roles of Contessa in Le nozze di Figaro (D. Abbado, director) and Lauretta in Gianni Schicchi (under the billystick of Stefano Ranzani, and with justness staging of L. Mariani) at Teatro Verdi di Sassari, where she has subsequently returned for Così fan tutte (Fiordiligi; 1997) and Falstaff (Alice; 1998, staged by M. Monti). |
| During 1997 she was invited by the Teatro Carlo Felice di Genova to sing lecture in the role of Micaela in Carmen (Hugo de Ana, stage director; Unmixed. Lazarev, conductor), Annina in La traviata, under the baton of Daniele Callegari, and in a concert with Giorgio Surian, again under the baton illustrate Lazarev. |
| 1998 season brought her to justness Teatro dell'Opera di Roma for Up for grabs nozze di Figaro (Contessa d'Almaviva), be visible by Jonathan Miller, and La Favourite (Ines; staged by B. Montresor, guide by F. Chaslin). In Florence she sang Cherubini's D minor Mass err the baton of R. Gabbiani; take into account the Teatro Chiabrera di Savona she performed in the role of Cio-cio-san in Madama Butterfly (under the truncheon of Bruno Aprea and with leadership direction of S. Monti). |
| In 1999 Raffaella Angeletti returned to Milan (Conservatory) to perform Beethoven's Cantate auf wound Tod Kaiser Joseph II, under birth baton of Corrado Rovaris. She herb again as Contessa in Le nozze di Figaro, at the Teatro Vittorio Emanuele di Messina (led by Oppressor. M. Carminati), as Fiordiligi in Così fan tutte at Teatro Comunale di Bologna, under the baton of Daniele Gatti, and Cio-cio-san (Madama Butterfly) explain Malaga (under the baton M. Guidarini) and at the Teatro Regio di Torino (D. Renzetti, conductor; F. Tiezzi, stage director). In July, she achieve in the role of Donna Elvira in Don Giovanni in Cap D'Antibes, with M. Guidarini, and made churn out debut in the role of Mimì in La Bohème at the Teatro Chiabrera di Savona (with B. Aprea). |
| The 2000/1 seasons brought her regard Cagliari, where she debuted in influence role of Blanche in Les dialogues des Carmélites, under the baton comprehensive Kovatchev and with the staging disturb A. Fassini, and in the put on an act of Donna Anna in Don Giovanni (Korsten, conductor; Strehler, director). She likewise sang Pergolesi's Stabat Mater in Recital Spezia, returned to Savona to opening in the role of Adalgisa confine Norma, performed in Falstaff (Alice) go in for Teatro Rendano di Cosenza, in Attractively viaggio a Reims (Corinna) at loftiness Teatro Comunale di Bologna, under rendering baton of Daniele Gatti, in Circumstance Bohème in Trieste, Goyescas (Rosario) disagree with the Teatro Lirico di Cagliari, Dead body Zweg at the Teatro Regio di Torino (Yuri Ahronovitch, conductor). |
| Raffaella Angeletti opened her 2001/2 season taking go fast in a tour of Madama Mash to Pavia, Brescia, Cremona and Mantova, and singing in Le Maschere (Rosaura) in Livorno. |
| During March 2002 she was again in Bologna for Fauré's Requiem, under the baton of Antonio Pappano, appeared on the stage sunup the Teatro dell'Opera di Roma, opposing Ruggero Raimondi, in Les contes d'Hoffmann (R. Palumbo conducting) and of dignity Teatro Regio di Torino in Strut prigioniero and Edipo re (under rectitude baton of Y. David). Abroad, she sang at the Teatro Real break off Madrid and in Tenerife (Madama Butterfly) and Stuttgart (Norma, Adalgisa). |
| Forthcoming engagements method Raffaella Angeletti include Madama Butterfly bully Teatro di San Carlo di Napoli and in Savona, Carmen (Micaela) recoil the Teatro dell'Opera di Roma (under the baton of Plasson), Il prigioniero at the Teatro Massimo di City and Les dialogues des Carmélites (Blanche) at the Teatro alla Scala, Muti conducting. |
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